Thanksgiving

Thursday, November 26, 2020

Pokeweed Berries

Thursday, September 10, 2020

The Pokeweed berries are ripe! I picked some today and then pressed them to extract the juice. A small bucket yielded one and a half quarts! I soaked a tshirt and a piece of cotton fabric in vinegar then worked it into the spent berry mash. I can't wait to see the results and see how it holds up as a natural dye. P.S - do not eat these berries if they are growing in your area. Good for inks and dyes but not pie!

Shibori Indigo Dying

Saturday, September 5, 2020

Spent an awesome day in VA with Leigh and Jennifer doing some Shibori Indigo dying. Making some super cute jersey infinity scarves and baby onesies - inventory for Curate Essentials!

Tinctures

Monday, August 31, 2020

Pressing out my tinctures today. Tinctures are natural medicines made with fresh or dried herbs/weeds/roots.

Amaranth

Tuesday, August 18, 2020

I'm not sure what kind of bugs have been eating our Amaranth but the leaves look like lace. I decided to press some and use them later in an art piece.

Lights

Tuesday, August 11, 2020

We started putting in the lights in the Apothecary at Curate today!!

Day 1 - Pollo Loco Art Camp 2020

Thursday, August 6, 2020

Kudzu Basket making

Soaping with Ellen

Tuesday, August 4, 2020

I had a great Saturday making soap with my friend Ellen. We are taking advantage of these Saturday mornings to be creative.

Sage

Sunday, August 2, 2020

Stocking up my stash of dried sage today. I add it to my handmade Sage & Lemongrass soap as a gentle exfoliate.

Plants

Saturday, August 1, 2020

When I decided I wanted to do more with herbal medicines, I bought as many seeds online that I couldn't find locally. This morning we spent some time getting some started. Chamomile please grow for me!

Arrowmont Blog

Thursday, July 30, 2020

Leslie Stucker Pearson is returning to her rural roots to make new art.

Today in Arrowmont Connections, Leslie shares the journey she took in her life and art.  Raised in a "real rural town in Missouri," Leslie was the first to go to college. After leaving for school and joining the military, Leslie did all she could to distance herself from her past. 

Everything changed in 2009, when she learned her grandmother was dying. 

Read more about Leslie's work, how she reconnected with her family's histories and stories, and the new work she has made during the pandemic shutdown in today's Arrowmont Connections blog. https://www.arrowmont.org/arrowmont-connections-leslie-pearson/

 Leslie discusses these topics and more in the July Instructor Roundtable discussion, available on our YouTube channel: https://youtu.be/012IB7g32hU

#arrowmont #arrowmontexperience #arrowmontconnections #MakingIt


Leslie Pearson is a multimedia artist who lives in Fayetteville, North Carolina. She has a BFA from Southeast Missouri State University, an MA in museum studies from Newcastle University and an MFA in textile design from East Carolina University. Pearson utilizes many fiber-based materials, processes and techniques to create sculptures, installations, encaustic paintings and handmade books in which she explores themes of memory and identity.

Last week, Leslie participated in the first Instructor Roundtable discussion – a virtual lunch-table conversation with fellow artists whose work also explores themes of identity. She described an evolution of thinking in her work.

LESLIE RETURNS TO HER RURAL ROOTS, BEGINNING WITH HER THESIS WORK A DECADE AGO.

Leslie was raised in what she described as "a really rural town in Missouri, in a family that was poor and uneducated." She was the first in her family to go to college. She joined the military after leaving home. She explains, "As I grew up, I tried to 'better' myself… to get out of that situation. I would distance myself from anything I associated with 'country life,' like gardening, or something that I thought a 'poor person' might do."

Leslie was beginning her graduate work in fine art in 2009 when she learned her grandmother was dying. This coincided with her search for an "authentic place within my work" and was, after years of trying to distance herself, a catalyst to reconnect with her past.

She thought to herself, "Who am I?" She began accumulating ideas and stories as she collected writings and oral histories from her grandmother and family members. At the same time, she began working with new sculptural media: hog intestine. "It is a beautiful membrane that is translucent when stretched over wire. Many interesting things can be done with it – you can print on it, paint on it, and even stitch it."

The combination of writing, family ephemera, and new media contributed to her thesis work in 2011, "Vignettes of a Family," and has formed the basis of her subsequent work.

I'm drawn to things that have layers of history. Be it handwritten letters, journals, old books, rusty metal, postage stamps, buttons, teeth, animal bones, or bits of fabric; my studio is filled with objects I've collected or unearthed. 

I'M A SCAVENGER FOR THE LOST OR FORGOTTEN THINGS THAT HAVE INTERESTING TEXTURES, COLORS, AND SURFACES. 

I like to imagine the stories that these treasures hold. I'm inspired by organic forms found within the natural world such as pods, seeds, nests, eggs, and shells – mostly for the metaphor they hold as keepers, protectors, and incubators.

NEW WORK

In the past months during shelter-at-home, Leslie has been returning to the traditions of her rural family upbringing including gardening, canning and wildcrafting.

She shared her most recent work completed during the pandemic:

"A couple of new pieces here that I have yet to exhibit due to the lockdown. Both are 36" x 7."

My Friction Ridges series is informed by family dynamics and the notion of imprinting. Fingerprints are known, scientifically, as friction ridges. We are all born with individual fingerprints which forms part of our identity. More of our identity is formed within our family interactions, which at times can have friction. I superimposed one of my fingerprints over old family photos and heavily hand embroidered each line to create a raised surface."

Leslie Pearson's website: https://www.lesliekpearson.com/

Facebook: @leslie.s.pearson

Instagram: @lesliekpearson

Leslie Pearson's artwork in the 2020 Instructor Virtual Exhibition: https://www.arrowmont.org/2020-instructor-exhibition/pearson/
Instructor Roundtable: IDENTITY video (featuring Leslie): https://youtu.be/012IB7g32hU