Aesthetica Magazine

Monday, December 13, 2010




I am pleased to be selected as a commended entrant to the Aesthetica Creative Works Competition 2010. Containing 40 full color artworks from emerging artists across the world spanning a wide range of disciplines, as well as poetry and short stories, this is a stunning anthology of the finalists from the Creative Works Competition. As a Commended entrant, my name and the title of my commended piece, is listed in the back on the Judges Commendations page. To be commended in this competition is a real achievement, as there were over 4000 entries and only 40 finalists and 50 commended entries in each section (art, poetry, and short stories).

Aesthetica
is a British-based art and culture publication that engages with contemporary art and culture both in the UK and internationally, combining dynamic content while exploring the best in emerging and established contemporary arts and design. Established in 2002, Aesthetica Magazine is stocked in WH Smith, prestigious locations such as Tate Modern, Serpentine and National Portrait Gallery, and in March 2008 the company added a second publication to its fold, the Aesthetica Annual.

The Aesthetica Creative Works Annual 2011 is available in galleries and independent retailers nationwide and will showcase the very best in new artistic and writing talent. The Annual has been comprised of the winning entries of the Aesthetica Annual Creative Works Competition, which received an astounding 4000 entries.

Aesthetica Editor and one of the judges, Cherie Federico:

“This year’s competition was incredible. I was thrilled by the quality of entries, equally, I had to make some tough decisions, and I spent a considerable amount of time contemplating each piece of work. Being commended in the Creative Works Competition is a fantastic achievement as there were only 50 commendations for each category.”

With three categories for artwork, poetry and fiction, the Aesthetica Competition was judged by Cherie Federico, Creative Writing lecturer Dr Kate North, and writer and editor Rachel Hazelwood. Cherie Federico says: “I think I can speak for all the judges when I say that the entries were of an extremely high caliber. We actually had to extend the judging period for a week and a half because whittling the works down proved a huge deliberation, but it’s really encouraged me to continue championing new talent and encouraging creativity in everyone. There was huge potential in so many of the works which Rachel, Kate and myself saw and I would like to urge all the competition entrants to continue developing their considerable talents.”

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